The Dark Universe kicks off with a shameless IP resurrection.
Rachel Weisz has never been better, to boot
Hollywood has never given us the opportunity to imagine what this world might look like.
A superior, if common, studio franchise effort
Guy Ritchie’s update on the Arthurian legend is a mess. But it has some moments.
A mediocre movie affords Rachel the chance to reflect on the state of women in comedy.
With a $200 Million budget, that’s failing.
A potent reminder of what we already knew: we are in deep trouble
Recommendations, schedule permitting, for festival viewing.